Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Thursday, February 28, 2008

Karen Russell, Magic Realism and the Kingdom



If you haven’t heard of Karen Russell you should take yourself down to Powell’s and pick up a copy of her debut short story collection, “St. Lucy’s Home For Girls Raised By Wolves.” I borrowed a copy from Van around this time last year and have read and reread it so many times I’m hoping to claim ownership. The short stories which make up Russell’s collection are the most captivating, beautiful, imaginative little nuggets of joy I’ve stumbled across in the last few years. They draw deeply from an immense creative reserve and introduce us to the most incredible characters including a class full of werewolves in training for suburban life, a camp of kids with various sleeping disorders, a minotaur and his family making their way along the wagon trail and an ice skating Yeti. So far so classic fantasy but the thing that makes Karen Russell’s writing so uniquely intriguing is the fact that all these fantastical stories are couched in terms of reality.

Karen Russell is the latest in a long line of modern writers loosely associated with the genre of Magic Realism, (including Aimee Bender, Jonathan Leathem, Jonathan Saffron Foer and the wonderful Japanese writer Haruki Murakami,) who have drawn first my attention and upon closer investigation, my ongoing devotion. Magic Realism as a genre hangs upon the basic need for the suspension of disbelief. Gabriel Garcia Marquez, writer of “Love in the Time of Cholera,” and many other pieces of fantastic imagination stretching literature once admitted, “my most important problem was destroying the lines of demarcation that separates what seems real from what seems fantastic." It is this blurring of realism and the fantastic that draws me to Magic Realism and drives me as a writer to create stories which most easily fall into this genre. Where fantasy creates entire new worlds; kingdoms, creatures and languages, Magic Realism is set in the real world with a realist view of the possible and impossible. However the lines of possibility are quickly smudged, blurred and often done away with entirely as weird things happen, the unlikely becomes increasingly likely and an odd kind of magic bubbles to the surface of the real world. Reading Murakami or Saffron Foer for the first time one might be fifty odd pages into a straight up piece of fiction, comfortable and relaxed with the status quo, when a talking cat or disappearing villages pops up to unsettle your resolve. The effect is both disarming and intriguing and more often than not leaves the reader hungry for a fresh miracle.

I choose to read and write Magic Realism because it appeals to the little girl in me; the part of my soul not yet world-weary enough to have developed presuppositions about what is and is not possible in this world. As I read some of these novels and stories I am constantly reminded of Christ’’s desire that we become like little children, not so we are overly simplistic or ignorant about the world we find ourselves in but so we can once again have a limitless sense of the possibilities afforded to us by the Kingdom of God. To read these texts and enter into them is to understand a little of the world view Jesus established when he pointed out the mountains and said how easily they could be moved with his help, when he stood on a fishing boat and controlled the storm or threatened to build and rebuild the Temple in three days. Christianity is a kind of Magic Realism in itself. We live in this world with all its temporal limitations, fully aware of the possibilities of God’s infinite power and creativity.

Moreso I have come to love Magic Realism because of its need to suspend disbelief. Nick Drake, the folk musician, once sang of, “straightening our new mind’s eye,” and this line has always made me think of Jesus’ command to repent and believe. I believe that this command though encapsulating our need to turn from sin, goes beyond right and wrong, to a place where God desires us to believe in an entirely new way of seeing the world. The Kingdom of God is with us now, hovering over the surface of everything we do and see, just waiting to break in and startle us with the amazing, miraculous, bigness of God. As I read these books I am challenged to “straighten my new mind’s eye,” and begin to see the beautiful possibilities for miracles, for wild imagination, hope and transformation just waiting for an opportunity to break into our reality.

Jan Carson blogs at http://specialfriends7.blogspot.com

Wednesday, February 27, 2008

Dangerous Art


The following is an article from David Taylor, the Austin-based playwright and pastor who is speaking at our Artists' Retreat in April. He is doing some research for a symposium on the theme of art and danger and would love to get some feedback from you guys so all his information isn't coming from the South. You can reply by commenting directly on his blog at http://artspastor.blogspot.com/2008/02/nasty-ghastly-dark-disturbing-dangers.html or by commenting here and beginning a conversation with our readers and contributors. We're really looking forward to getting to know David and his wife in April.

I am beginning my research for my talk at the symposium. My given title is: What are the dangers of artistic activity? and I would covet your opinions and perspectives. Here are a few areas for exploration.

1. Think of your personal experience. What experiences of art for you have been negative or destructive or debilitating or stifling or confusing?

2. Think of your church setting. What are dangers in high church settings and in the low church settings? High art practices and pop art practices?

3. Think of sins of commission and omission. In what ways are dangers things done or things left undone? In what ways is a danger a "too much" or a "too little"?

4. Think of cultural and societal patterns. In the advance and proliferation of media technologies, how are the arts being enlisted to serve ends that do not contribute to the well-being of humans or communities or cities?

5. Think of the artist and the audience. What are dangers peculiar to the artist, separate from the work? What are dangers peculiar to an audience--from a mass audience to a select audience?

Think whatever you want. All I care is to hear what you think are dangers--past dangers, present dangers, future dangers, actual dangers, potential dangers, fantasy dangers, small and big, yours and theirs.

Lastly, for fun, in addition to any of your observed dangers, tell me a way in which you might become the one to produce something dangerous; and by dangerous I don't mean daring, prophetic, "people just aren't ready for me yet" kind of dangerous art, I mean good old fashioned, "produced by a fallen creature" dangerous art.

David Taylor blogs at http://artspastor.blogspot.com

Saturday, February 16, 2008

Music and Place Photography Project



Hello All,
This is going to be a somewhat short and business like blog. I just wanted to call in favors and hook ups outstanding with all of you. My good friend Melanie Brown and I are embarking on an exciting art project to explore the relationship between place and the music which comes from that place. We're beginning the project with a ten piece exhibition of five photos and short interviews with Portland musicians and five similar pieces from Nashville musicians who we'll be interviewing in Nashville at the beginning of next month.

If the initial exhibition goes well we're keen to expand the project and interview/photograph musicians from other music rich cities (eg New York, Dublin, London, Seattle, LA etc.) Unsurprisingly we don''t have a huge budget for travelling all over the world so we'd love to shoot people as they pass through Portland on tour. We're looking for anyone who has contacts or knows people who know people who know people we could take pictures of. In the next few months we'd really like to shoot Bell X1, David Bazan, Rosie Thomas, Mark Kozelek, a Crib or several Cribs and anyone in the greater Portland/Nashville/Seattle area. If you might be able to help us or pass us on to someone who could we'd love to hear from you. We have lovely professional resumes and you can check out mel's photography at www.melanibrown.com. she's an excellent photographer.

the whole project hangs around the idea that community affects music and so we'd love this to be a community effort getting the shoots set up. all help will be rewarded with wide smiles, mix cds and hot mugs of stumptown, much love,

mel and jan (jan@imagodeicommunity.com)

Jan Carson blogs at http://specialfriends7.blogspot.com

Wednesday, February 13, 2008

Discover music, authors, movies: Gnod.net

COOLEST WEB SITE EVER: http://www.gnod.net/

Gnod is the "global network of dreams" and somehow it is VERY capable of telling you which musicians, authors and movies you will like based on stuff you're already enjoying.

For example, I entered "Jack Johnson" on the Music Map page and got a comprehensive map of a bunch of artists I'm already listening to (like Ben Harper, Paolo Nutini, Ray LaMontagne, Norah Jones, Sublime and The Shins), which tells me I'm going to like the artists on the list that I haven't heard yet (like Donovan Frankenreiter). It even includes odd stuff-- indy folkster Elliott Smith was on the map when I entered rapper Mos Def. It's weird that I listen to both of those artists, but I do and somehow Gnod knew that.

There's also the option to enter three of your favorite musicians to lead to to new music that's sort of a combo of the three. Now that I think about it, this tool might be where they get data to make the music map work. Or maybe they just do it by magic.

The movie and book map sections are great too. And there's something on there called Flork that lets people discover other people around the world or something. If anyone tries it, let me know how it goes.

Props to Jessica for tipping me off to this.

Praise God for Gnod! (Sorry, I couldn't resist.)

Charity Thompson
Charity blogs at caridadthompson.blogspot.com.

"Old School" by Tobias Wolff



I just watched my roommate Paul walk out the door. Paul is fresh back from a week in sunny Texas, which has given him an extra hop in his step. You can always tell the people in Portland who have just been somewhere else -- they always have that extra hop in their step. This is probably because it's been less than sixty days since they last saw the sun.

As one of the many Portlanders stuck in the dreaded It stage of the year, I've turned to books for my sunshine. I'm pleased to give a huge huge huge megahuge recommendation to Tobias Wolff's Old School. I picked this book up for two reasons: 1. Because Tobias Wolff bears a striking resemblance to Tobias Funke; and 2. Because Wolff's This Boy's Life is my favorite memoir ever, and in my top ten for "overall fave books."

You know what? Usually I make off-the-cuff, arbitrary statements about books, movies, et al being in the top ten. Let's see what my list would actually look like, off the top of my head:

1. The Beach (Alex Garland)
2. Harry Potter and the Deathly Hallows (JK Rowling)
3. The Catcher in the Rye (Jerome David Salinger)
4. This Boy's Life (Tobias Wolff)
5. The Ground Beneath Her Feet (Salmon Rushdie)
6. A Prayer for Owen Meany (John Irving)
7. Blue Like Jazz (Donald Miller)
8. Moneyball (Michael Lewis)
9. Faithful (Stephen King and Stewart O'Nan)
10. In God We Trust...All Others Pay Cash (Jean Shepherd)
11. Heavier Than Heaven: A Biography of Kurt Cobain (Charles Cross)
12. Bringing Down the House (Ben Mezrich)


If you're the judging type, please judge my literary taste by the BOOK, not the movie. Also, it's worth noting this list is in order of how much I loved the book at the time. If I had to re-read them all, they might be in a completely different order.

Anyway,

Um...

Where was I?

.....?....??.....???

Oh yeah: Old School is not quite up to the level of This Boy's Life, nor should I have expected it to be. Doing so is akin to expecting the next JK Rowling book to measure up to Harry Potter, or thinking Will Ferrell will always be able to duplicate Anchorman. This is still a darn good book.

The problem with darn good books, of course, is that I have too many things I want to say about them. Thought, thought, thought, thing I learned and then I'm incoherent, unable to put together a solid thesis statement. Instead of putting you through that, let me give you an excerpt from Old School. In it the narrator is competing with other prep school writers for the opportunity to meet Robert Frost. One of the things I love about Wolff -- and what you'll see in the below -- is his focus on character detail. Whereas I'm always concerned with the overarching story, you can see where Wolff's desire is to give you the whole, entire visual behind the story. Wish I could do that.

You could tell, reading George's poetry, that he knew his stuff. His lines scanned, he used alliteration and personification. Metonymy. His poems always had a theme and were full of sympathy for the little people of the world. They bored me stiff but George had expertise and gave occasional intimations of power in reserve.

I didn't really believe he would win. He seemed more professor than writer with his watch chain and hairy tweed cap and slow, well-considered speech. The effect was less stuffy than dear, and that was George's problem; he was too dear, too kind. I never heard him say a hard word about anyone, and it visibly grieved him when the rest of us made sport of our schoolmates, especially those with hopes of being published in Troubador. At our editorial meetings he argued for almost every submission, even knowing that we could take only a fraction of them. It was maddening. You couldn't tell whether he actually liked a piece or just hated turning people down. This provoked the rest of us to an even greater ferocity of judgment than we were naturally inclined to.

George's benevolence did not serve his writing well. For all its fluent sympathy, it was toothless. I had some magazine pictures of Ernest Hemingway tacked above my desk. In one he was baring his choppers at the camera in a way that left no doubt of his capacity for rending and tearing, which seemed plainly connected to his strength as a writer.

Still, I knew better than to write George off. If he just once let a strong feeling get the better of his manners, he might land a good one. He could win. (pages 9-10)

The best part of this book? Not that much actually happens. The entire thing is about character development. Maybe that won't appeal to everyone, but it did to me.


Mike Pacchione
(Mike blogs at http://sevenminusfour.blogspot.com)

Saturday, February 9, 2008

"Operating Instructions" by Anne Lamott: Hilarious required reading



Hey y'all, it's Charity. I am three chapters into Operating Instructions by Anne Lamott and I am already declaring required reading for... I don't know who. People who are pregnant or parenting or people who know people who are those things. Or people who like hilarious and poignant authors like Anne Lamott.

I picked up the book because I want to devour anything she's ever written and I just can't get over how wonderful it is already. How many authors write about giving birth and include the fact that while they were pushing they squeezed out a little poo on the birthing table? She is just way too honest and funny. And such a master of words. I keep reading this paragraph over and over, even though I am nowhere near the situation of a single, poor, pregnant, recovering alcoholic:

"So I am often awake these days in the hours before dawn, full of joy, full of fear. The first birds begin to sing at quarter after five, and when Sam moves around in my stomach, kicking, it feels like there are trout inside me, leaping, and I go in and out of the aloneness, in and out of that sacred place."

Read it!

Charity blogs at caridadthompson.blogspot.com.

Wednesday, February 6, 2008

Waiting for Snow in Havana

Waiting+for+snow+in+Havana
I have been reading an outstanding book, both from a literary and a theological perspective: Waiting for Snow in Havana.

The author, Carlos Eire, is a Cuban exile. The book is primarily a memoir of his boyhood in Cuba, but it also touches on his post-Cuban life in the US, and on the present. I had never meditated on the painful process of exile, even if the exile is a child. The author was a wealthy, white son of a judge, and ended up being "a spic," who had to lie about his age to get work washing dishes all night and being looked-down-on by everyone around him. His mom went from being a pampered wife to being a single, crippled mom, unable to find work or take care of her children.

One of the amazing things about the book, aside from lots of great randomness one might expect from a thorough childhood memory, is the author's amazing ability to turn everything back around to God. At the end of one awful chapter, where he remembers fragments of near-molestation by a hated foster brother, he heaps coals on the brother's head by wishing he would go to heaven and be forgiven by Jesus, when the reader expects him to wish the brother damned.

The author went through scarring by his monk-teachers; he ended up being paranoid that a dirty magazine might fall open on his face right before he died, thus sending him straight to hell. He went through trials ranging from living in foreign orphanages to listening to his mom scream while bombs fell. He also lived in a country where religion was eventually outlawed. However, none of that seems to have separated him from his God. I like that--it is too easy to allow fellow "Christians" to injure our faith, or to see our traumas as reasons to doubt. Carlos Eire just sees it all as the way things are, and maintains this amazing reverence toward God. He does so with an amazing sense of humor, too.

I highly recommend this book, to almost anyone. It is remarkably upbeat, considering, and brings back all of the fun of childhood. It also has taught me more about history, and made me think about identity, and about God.
--

Tuesday, January 15, 2008

::Mourning Doves In Nicaragua::

mourning+dove
Two weeks ago I sat in the Houston airport waiting for a connecting flight to Nicaragua. I accepted my fate begrudgingly, found a roosting spot and pulled out from my bag a novel my friend Anna gave me. A book she listed on her Myspace favorites called Desert Solitaire by Edward Abbey. The language I found was epic, every word a carefully hand picked berry that Abbey dutifully polished on his shirt close to his heart and carefully placed in his bucket. Berries that he’d later make into the juiciest, sweetest pie for his five closest friends. There’s a line in the book that brings me to this present moment. Late morning, sipping a cane sugar cola from a glass bottle and listening to the mourning doves from the courtyard of my hostel in Nicaragua. The sound these birds create is something nostalgic for me. As a kid I would listen to the forlorn D minor bellow of this bird outside my bedroom window like a nature’s lullaby.

In Abbey’s book he writes: “Also invisible but invariably present at some indefinable distance are the mourning doves whose plaintive call suggest irresistibly a kind of seeking out, the attempt by separated souls to restore a lost communion: Hello…they seem to cry, who…are..you? and the reply from a different quarter. Hello…(pause) where…are…you?

I’m not sure how it happened but I’m happily surrounded by friends who are great writers. I mean really great. Had they been born in an earlier century they would have been in social circles with Fitzgerald and Gertrude Stein. In fact they would’ve been Fitzgerald and Stein, hopefully without the hang up of alcohol abuse. But for me, writing does not come naturally, nor do I foresee ever rightfully owning the title of a writer. My emails are lazy, I’m a horrible typist, and my hand tires quickly when I write. My journals teeter between psychotic and pathetic. The one script I’ve been known to write well are break-up letters: passionate and from the heart. A genre of writing that, hopefully, I won’t write much more of in my lifetime.

I’ve grown to respect great writing, so Thank You Edward Abbey for describing something I’ve always felt on a molecular level, but never knew how to find the words like in the dialogue that the mourning doves share.

When I first contemplated getting a ticket to Central America to visit my friend Lisa I was a little uncertain if I wanted to go. I knew some sort of get-away was imperative for me but I have never been drawn to Spanish speaking cultures, Nicaragua wasn’t top on my list. I suspect my aversion to the Spanish language came from my youth. I grew up in a small town where the neighborhood kids who came to jump on our trampoline had names like Juan, Jesus, Hector and Lupe. They would ask me, ” Jew wanna come to my ouse for deener?”

Words like; Hola, Dinero, Que pasa and the ever-displeasing mental image of Gracias pronounced “Grassy-ass” were imbued into our everyday speech. Later in life living in New Mexico an ex boyfriend would entertain himself with the cartoon voice of Speedy Gozales, “Hey Ese, Que Pasa your Sombrero is too Beeg.”

Relaxed, in the warm morning air of Nicaragua I’m happy to declare that I am kickin it in a Spanish speaking country and I’m even growing fond of the language. Who knew. Nicaragua is the second poorest nation in the western hemisphere next to Haiti, yet somehow this country encapsulates the most kind hearted people I’ve ever met; my safety has never once felt threatened.

I theorize that the Nicaraguans serene nature is somehow woven into their infinite helix. Music plays a large factor into their chilaxed disposition a spiraling staircase of DNA comprised of musical instruments. The blend of the accordion, guitar and trumpets are like an airborne tranquilizer. To demonstrate the tender heart of these people, on several occasions I have, overpaid; sometimes the equivalent of fifty US dollars or more; the street market people, the ardent sales man, the taxi drivers and to my good luck a sympathetic smile to coddle my ignorant gringo ways come to their lips as they hand me back my money. Mind you, I have traveled a fair amount in my lifetime and this does NOT happen anywhere else in the world, especially a country as poor as Nicaragua. One evening strolling through the street markets to get a late night snack I was discussing with my friend Jonathan from Connecticut how strangely big hearted Nicaraguans were, and just then I looked over and saw a police officer with a hand gun strapped to his side kneeling down to tie the shoe of a homeless guy.

There is a Dutch woman named Dorien who heads an organization called MPOWERING PEOPLE. My friend Lisa has been working with her to orchestrate hundreds of street kids in a 45-minute play with handmade, but functional props to depict the history of Nicaragua with a message of empowerment to females and children who are often victimized by family. I saw the play last night. The kids took the stage in one of the poorest villages outside the town of Leon. I didn’t understand a lick of the language but when the Spanish Conquistadors came out of the shadows and shouted “Christiano, Christano!” and then beheaded the loin clothe clad indigenous people the walls of my heart collapsed and my eyes welled with tears. The play was captivating, something Dorien and a group of people have been working on for almost a year; writing the script, costume designing, rehearsing, and promoting. This was a huge task to organize and they managed to pull it off with flying colors.

Dorien is strong in stature with long red hair, which is often disheveled and wadded back in a messy ponytail. She looks at you with nurturing blue eyes; benevolent, and exhausted from trying to save the world. I don’t know what her religious orientation is or if she even has one, but regardless, to me she is like a Twenty-first century Jesus. When I think of what Christ looked like when He hung out with the people I think of that ubiquitous Sunday school image of Christ surrounded by and walking with the children. His comforting hand on the shoulder of one of the boys, a baby resting on his chest and all of them looking up at Him smiling, while a cotton puff cloud-like lamb rests in the foreground. That image is Dorien; replace the cloud like sheep with a mangy, emaciated, diseased and dirt-ridden dog. She sits with the sick and the poor and tries her damnedest to help anyone in need. She’s known for miles, people yell her name as she walks down the street, running after her to be near her. Dorien! Dorien!…

One day, in the same village where the play took place we went to a little corrugated tin shack of a house. An old woman a foot shorter then me with one tooth in the center of her upper gums greeted us with rib crushing hugs. She first embraced Dorien and then around the circle of people; Lisa, Dorien’s visiting parents and myself. When she came to me, she held my face with her small hands and then with one hand gestured emanating rays of light around my head. Dorien translated what she said, “You are like an Angel from heaven.”

I felt my face light up in the aura of acceptance, that sort of special feeling of confirmation that you get when babies and dogs take an instant liking to you. This “supernatural divine occurrence” happened a few times on my journey; situations where I felt singled out from the crowd as if someone from a higher place was trying to send me messages of love. On the beaches of Bonita, four of us travelers sat facing the sun, reading, listening to the oceans roar when a little boy came by and with long strands of grass he wrapped and twisted little flowers for each one of us. We gave him in exchange a little money and then carried on reading our books. Continuing to stand over me and blocking my much enjoyed sunlight he started folding another piece of grass skillfully creasing it in half and then into the shape of a cross, he handed it to me, and In Spanish he said, “This is for you.”

“O’ no, no gracias. Yo no dinero.” I said, which was actually true because Lisa was spotting me until I could get to the next ATM. He insisted and said, “It’s a gift for you”.

Now, its possible that this is all coincidence, maybe he thought I needed a cross to ward off evil werewolves under the night’s full moon, but the thought did enter my mind that maybe these are little messages from God, communicating like the mourning dove.

Hello…I Love you,..(pause)… Hello….I’m right… here….

The diminutive old women, after she pointed out my golden rays of light, started to cry and told us her daughter who is only thirty was in her corrugated tin home dying of cancer. The irony of this scenario momentarily stopped my heart. I currently struggle to make sense of my duties and place with a terminally ill stepfather who too is dying of cancer.

I felt helpless. This poor women who obviously loved her daughter greatly had no hope so I asked Dorien to please translate that if it was possible, I’d like to pray for them. It was the least I could do. In the darkness of their shack I sat on the daughter’s bed while she cried, holding her hand and her mother’s. The three of us. The room was pitch black with only a bed and an oscillating fan. I saw only the incandescent glow of their eyes and stumbled awkwardly through a prayer asking the Lord to please comfort this family and help the daughter endure any pain that may be inflicted on her body by the cancer. When I said Amen, they followed by saying, ” En nombre de Jesus Christo Amen.”

As I was leaving, the daughter cried in fear and gripped my hand piercing my wrist with her nails. After we left, Dorien quickly got on her cell phone and in Spanish arranged for a doctor to travel to the village and get the girl pain medication. The following day, Dorien went to the Nicaraguan hospital and donated her blood to the girl.

There are many questions I battle with being a Christ follower and in a way I have learned through my friend Don’s writing that it’s ok to ask these questions, like “Why are most Christians, jerks?” You see, Dorien overwhelmed me with her kindness. Her heart is the embodiment of true compassion. This kind of compassion was the opposite of my experiences in Managua at the orphanage. A missionary lady who worked as a coordinator to bring down teams from the states to help build new housing and schools for the locals and another affluent woman in her fifties visiting from the states to adopt three babies were my company for the week in Managua. It was one of those situations where immediately I knew; they were not interested in getting to know me.

Not once did I experience sincerity from them. I wondered how they could do what they did with such little structure of compassion. I suppose some people are just good people and others think all they have to do is call themselves Christians and leave it at that. Not only did they treat me poorly, but they also treated the locals poorly as if they were somehow better then everyone else. I thought of confronting them, but I don’t think they could grasp just how insensitive they were. I tried like a bullied school kid to engage in their conversations but my words would only fall out of my mouth flat in the dust. They’d turn their attention away from me and start talking to one another not even hearing me, like my words lacked breath, like I was invisible, like they were deaf, except to each other. Other times I’d try to act perky and pretend their coldness went unnoticed I’d say something like, “What time do we head to the orphanage today?” They’d talk among themselves, giggle share an inside joke, pause, look out the widow for a while to contemplate the change of weather and then lethargically say, “Oh did you say something Melanie?”

…What happened to my emanating rays of light? Did they not see them too? My failed humor was constantly taken the wrong way and instead of explaining what I meant, I took their looks of annoyance like a cockroach in my half eaten sandwich…Gulp…

When we went out to eat we’d pray before and then because something wasn’t right with the meal they’d throw a fit and demand money back. I was embarrassed to be white and embarrassed to be Christian. Even more fatal I started developing a complex, asking myself if anyone anywhere had ever liked me. I desperately needed to get back to Lisa.

Day six into the trip I started to regret ever leaving Lisa until I arrived at the orphanage. At the orphanage all my frustrations were forgotten. This is where I fell in love with Alexandria, a one-year-old baby girl. The moment I saw her the universe shifted, like the great ease of ancient tectonic plates falling into place for a temporary slumber. Somehow, I refrained myself from immediately running to her side and lifting her to the great baby gods in jubilee. Instead, mentally half present I held and comforted other children to sleep, all the while watching Alexandria in my peripheral to see if she equally noticed me. I can tell by watching her, she feels and hears everything intensely. Immediately, when she caught my eye and lifted her hands to me I felt deeply protective of her. For five days, I spent time getting to know her, and in the wake of my inability to ever remember the correct lyrics of any song; I think there’s a name for this disorder, something like, Lyrical-Popcornheaditis. I sang to her Christmas tunes, “O holy night, the stars are brightly shining…” and Paul Simons “Slip Sliding Away” and “Me and Julio down by the Schoolyard” as she fell asleep on my shoulder I softly sang… ” He said Dolores I live in fear, my love for you is so appalling I’m afraid I will disappear…slip sliding away..” not a typical infant lullaby, but I tried to exercise a constant voice around her. I noticed as the hours and the days went by the more she recognized my presence as a person of solace.

I’ve tried to pinpoint this love. I’ve been in love before, and to this day I am often weighted down by him, the “Impossible” love. I drag him with me in my mind and heart everywhere, even here to Nicaragua. This kind of love is written about in Latin countries where a man or women will love each other for fifty years and may have never even kissed one another. This impossible love of mine has warranted volumes of break up letters.

But this is not the same kind of love that I felt when I saw Alexandria. I have only been hit by Cupid’s arrow twice in my life. The knowing, when upon first sight you can actually feel the piercing of cardio flesh that aches in the voice of fate. Crossing paths with Alexandria felt more like an arrow from cupid. Through research I have learned that the adoption process doesn’t look promising; too much difficulty with the Nicaraguan government. They’re disorganized and inconsistent with the law. But, I plan to do what I can, even if I have to learn Spanish and if I can never help her find her way out of the orphanage she now inhabits part of my spirit and I will always pray for her. I hardly saw this coming when I first contemplated buying a ticket to Nicaragua. But, soaking in the sun and surrounded by the events that took place; the good and the bad, I’m happy I did.

Melanie Brown

Melanie's work can be viewed at www.melanibrown.com

Somewhere in the Middle of Coming & Going



A tornado rolled through Vancouver last Thursday. With a mind of its own it touched down here & there and tossed out an ominous collection of sights & sounds. Hail that seemed to be signaling the Apocalypse framed and accented by lightning strikes from cloud to ground. Roofs were torn off buildings, bricks were stripped off walls, 200 trees came down and a semi-truck was body-slammed to the mat of the pavement…and then it was gone. Witnesses, with the smell of lightening in the air, looked to each other with blank faces and, yes I know Mr. Fujita, didn’t care that the tornado would later only merit an F1 badge because…it was big enough. You had to be there. I was.

Hunger pains had me longing for Baja Fresh around noon the day of the tornado. I was to meet a friend for lunch but due to car trouble he had to cancel. So I returned to my notes and thoughts in preparation of the very first gathering of the Imago Dei Inklings. As I returned to my Gateway to buckle down and finish my mere introduction to Mere Christianity, I heard a series of thunder claps drawing nearer to me. I knew that thunder this time of year was rather rare but what I didn’t know was probably a blessing; ignorance is bliss for a man without a basement in the direct path of a tornado.

All was calm as I heard a silent but resounding voice directed at my thoughts (”Hey! Get up!”). Taking the direction off camera, I left my bedroom and walked through the house. As I looked through the front windows I could feel the atmosphere change. I’m glad I didn’t know how near I was to a storm that had packed 100 mph plus winds. From the eerie calmness (and realization I was alone) the winds came abruptly and without knocking as our metal screen door was slammed open. The intruder was here and our Douglas firs bordering our front yard acted as sentry guards by swaying violently with the brute force winds that announced his coming. Sometimes 15 seconds can seem like an hour…or two. Thoughts assailed my mind from every direction as the wind above my home: Where should I go? Is my family safe? Should I go have lunch now? A grilled-cheese sure sounds good.

A frantic phone call from my daughter warning me Vancouver was under some sort of environmental attack deemed ‘Code Green’ broke the calm all around me. One of those moments you’d expect a ‘jump scene’ in a film (something startling happens…like the windows blow out) and the jump scene is replaced by a phone ringing out of the silence invoking not only fear but irritation as well. I hate those scenes. The wind was gone and the trees had ended their rumble without incident. With a calm voice I responded to her call of distress, “yes…I know.”

Somewhere in the middle of life I’ve discovered that as much as I plan ahead I have very little say in my comings and goings. Washington state covers 71, 342 square miles and is rated 47th in nation (Oregon is 46th) for frequency of tornado sightings…last Thursday those statistics meant nothing to me. If the tornado had been on the ground it would have come directly through my neighborhood. And there wasn’t anything I could do about it except stand in fear and awe.

I can’t stop the storm but I can live in the promise of Hope. I can take each day as a gift and live it as best I can in light of Christ knowing another twister of life, whether it be cancer, losing a loved one, broken relationships, unemployment or whether it’s simply the weather, may at a moments notice come barreling through my life. Jesus never promised an Eden for us here, the garden was pummeled by an F5, but He did promise to rescue our souls from the funnel cloud of sin constantly pulling us, pressuring us towards the carnal man. And He promised to be with us, even in the storm.

I finished preparing for the Inklings and headed off to Sydney’s. Our first gathering was an amazing experience to say the least. Although the group was large (27 people) the conversation flowed with all the finesse of a small intimate group of good friends. God’s Spirit was there, I could feel the atmosphere change, and I was thankful for this City, for these people and for my Faith in the One that has made the comings & goings in the middle of my life make sense out of some of the storms of my past.

Paul Harvey’s famous line comes to mine, “and now you know the rest of the story.” As I sit at half-life in my mid-forties and reflect on my past and embrace the Hope of my future…I wouldn’t even know where to begin in knowing the rest of my story. I do know one thing… Baja Fresh sits on the corner of 78th Street and Highway 99…the very place where the tornado touched down.

Darren Jacobs

Darren blogs at www.oxfordspires.wordpress.com

Thursday, January 10, 2008

A Mortgage-paying Nation in Exile



I’ll admit I’m from lime shag carpet between my toes and biting holes in the center of processed pre-sliced cheese. And to be honest, Sergeant Slaughter supplied the bulk of my childhood moral education with his fist-pumping affirmation, “…and knowing is half the battle.” But despite my western domestication, there’s something about the dust-ridden transient life that generations of Israelis endured that resonates with me—that resonates with US. We also live in a nation in exile.
Don’t get me wrong; I’m not trying to pull a far-fetched parallel trivializing what the Israelites in exile endured. How trite and insignificant does my eight-year-old dilemma deciding between the cheese-infused hot dog and the tater-tot chili boat sound now? How can I, with my Richie Cunningham existence even begin to fathom what it would be like to spend my pre-teen years carrying family heirlooms in a knapsack perpetually following God knows what.
While I haven’t come close to experiencing anything in the same region of intensity, for some reason, I feel like something within me has that same sense of longing and of displacement.
Despite our globally-relative affluence, and sense of rooted king-of-the-mountain mentality, the United States of America finds itself in a state of exile because the United States of America is made up of a bunch of humans singing along with Bryan Adams, wishing the summer of ’69 really would last forever.
Is it just a primal obsession in me and the top 40 charts with American flags, blue jeans, and car washes, or is Bruce Springsteen really on to something when he growls out his anthemic declaration that, “Baby, I’m born to run”? It’s not just a blue-collar battle cry. We crave for something we realize we don’t have.
I know I’m not alone in this craving, because every television network has picked up on it, and has begun to feed off this nation’s obsession with celebreality (do I need to put an ® there so VH1 doesn’t come after me?). We elevate these pseudo famers and fantasize about putting them in a mansion and having them fight over a jar of peanut butter. It’s as if we aren’t comfortable or satisfied with our own realities. We’re a nation of firmly planted mortgage payers, obsessing over the green grass on the other side.
It’s why we use credit cards to try and rise above our standard of living, and why “The Price is Right” is still on day-time television: we all want something more.
In mulling all this over this past week, I think somewhere between an episode of “The Hills” and my re-reading of John Steinbeck’s Of Mice and Men, I had an epiphany. I’m not sure if it was the petty whining of the high-brows or the desperation in George & Lenny, but I realized that we weren’t meant to live migrant lives of want. Some epiphany, eh?


Glenn Krake teaches English Literature to high schoolers, and continues to lament the loss of his fourth grade pet tree lizards, Milli and Vanilli.